In I SEE YOU the Scottish coast is reimagined through the lense of obsessive consumption, exploring a heavy, parasocial intimacy with the inanimate.

Through a frantic, rhythmic fixation on the skins and skeletons of the boats of Arborath harbour, industrial forms are stripped of utility and reborn as objects of lustful devotion. The work simulates obsessive thought, collapsing the distance between observer and observed into a dark, sinister, manic act of industrial lust.